Known primarily for his work as a designer of lighting fixtures, Serge Mouille (1922-1988) received a master silversmith diploma from the School of Applied Arts in Paris. He studied with silversmith and sculptor Gilbert LaCroix and, after graduation in 1941, went to work in his studio.Read More
In 1953 Jacques Adnet hired him to design lighting fixtures, an art to which he devoted the rest of his life. Throughout the 1950s Mouille designed large, angular, insect-like wall mounted and standing lamps with several arms and smaller, more curved wall-sconces. Some of his best known designs from the period are his “Oeil” lamp (1953), “Flammes” (1954) and “Saturn” (1958). He worked to achieve a kinetic, sculptural aesthetic that evoked a sense of movement in space. He also claimed his lighting fixtures were “a reaction to the Italian models, which were beginning to invade the market in 1950,” and which he thought to be “too complicated.” His designs from this period were shown mainly at the Steph Simon Gallery in Paris. Towards the end of the 1950s the invention of neon tubes inspired Mouille to create a series of floor lamps that combined incandescence and fluorescence. These designs, called the “Colonnes” collection, had their debut at the 1962 Salon for interior design, and are some of his better known later works.
Mouille established the SCM (Société de Création de Modèles) in 1961 as a way to encourage young and emerging lighting designers. He worked and taught for the rest of his life, showing his lighting and jewelry at several exhibitions. For his career as a metal smith and designer he was awarded a medal from the City of Paris from the Directors of Professional Artists.
Throughout the 1950s Mouille designed large, angular, insect-like wall mounted and standing lamps with several arms and smaller, more curved wall sconces. He worked to achieve a kinetic, sculptural aesthetic that evoked a sense of movement in space.
The long straight arm of this sconce is 69 inches allowing for illumination deeper into a room when needed while the shorter arm maintains lighting closer to the wall. Maximum flexibility is acheived with independently rotating arms and swiveling heads.
44″ and 69″ arms x 24″ H