FOR THE LOVE OF CRAFT: AN INTERVIEW WITH SCOTT RICHLER OF GABRIEL SCOTT

Since launching Gabriel Scott in 2012, polymath Scott Richler and his team have endeavoured to highlight the unique, thoughtful practices of the company’s Montreal studio. The designs conceived of and crafted in the 30-thousand square foot space immediately enrich in the rooms in which they are placed upon completion; elegant, intriguing, but never overly done.

Their drama is measured by restraint – the kind one would see in a formidably executed item of jewellery or the compelling silhouette of a building, for example. And that’s entirely intentional, given Richler’s turns as an architect and jewellery designer.

With the company consistently innovating and exciting our clients with their superb work, we wanted to chat with Richler about the evolution of Gabriel Scott, and how it remains relevant in today’s design landscape.

Having a background in fashion journalism myself, I'd love to start by talking about your career designing jewellery and how that came to inform your interest in lighting design.

Gabriel Scott was born from a fusion of my experiences in architecture, fashion, and jewellery. My journey began in architecture, where I honed an eye for detail and scale. Later, I transitioned into jewellery design, crafting intricate pieces that combined luxury with craftsmanship. This background deeply influences my approach to lighting and furniture design today. Our pieces aren’t just functional; they’re a blend of architectural precision and the meticulous detail found in high-end jewellery. Each creation is a testament to the journey through these disciplines, resulting in pieces that are both exquisite and versatile.

Let's talk about the furniture design collections—what's your philosophy when it comes to making great furniture?

At Gabriel Scott, our furniture design philosophy blends functionality, craftsmanship, and timeless aesthetics. We create sculptural, purposeful pieces that enhance spaces, using the finest materials and meticulous craftsmanship. Customization is key; we collaborate closely with clients to ensure each piece reflects their vision. Our designs transcend trends, offering versatility across different interiors, from residences to luxury hotels. Inspired by stories from fashion, architecture, and jewellery, our furniture tells a narrative, adding depth to any space. Ultimately, we aim to create beautiful, enduring furniture that becomes an integral part of daily life.

Why is it important for you to have your products made in Montreal?

Montreal is where Gabriel Scott began, and it remains the heart of our operations. Our studio is a space where industrial designers, engineers, and artisans collaborate to bring each piece to life. Every item is handmade to order, ensuring that the highest standards of craftsmanship and material quality are maintained. This process not only allows for customization but also guarantees that each piece embodies the meticulous attention to detail that defines Gabriel Scott.

Why did you decide to include information about how your collections are made on the website? What does this transparency mean for your company?

Transparency is integral to our brand. We want our clients to understand the level of craftsmanship and the quality of materials that go into every piece. By sharing our process, we celebrate the artistry involved in creating our collections. It's about honoring the skill of our artisans and the time-intensive techniques that make each piece special. This transparency fosters a deeper connection with our clients, who appreciate the story behind the luxury they’re investing in.

Tell me about some of your favorite designs—why are they your favorites?

The Welles lighting series holds a special place in my heart. It’s a design that began with a simple geometric idea and evolved into a versatile, modular system that can be adapted to countless configurations. The Welles embodies the fusion of architecture and jewellery that defines our work—structured yet fluid, detailed yet expansive. Another favorite is the Bardot collection. Its sleek metal frame and plush materials create a contrast that’s both elegant and timeless, making it a versatile addition to any space.

What's been one of the most fulfilling customization projects you've worked on recently?

One standout project was the custom Welles Reimagined chandelier for The Vault at Bellagio in Las Vegas. Collaborating with Alessandro Munge, we created an expansive fixture that became the centerpiece of this ultra-exclusive speakeasy. The chandelier, with its 80 faceted glass globes, perfectly captured the opulent yet refined atmosphere of the space. This project was a true testament to the power of collaboration and the potential of customization to transform a space.

Let's talk more about the Welles Reimagined series—why did you want to do that series, and tell me about the folks you collaborated with for these pieces. Why them?

We embarked on the Welles Reimagined project to celebrate both the evolution of our iconic Welles fixture and Gabriel Scott's 10th anniversary. This milestone was the perfect opportunity to honor a decade of design innovation by collaborating with visionary designers like Alessandro Munge, Sybille de Margerie, Guan Lee, Michelle Gerson, David Rockwell, and Kelly Hoppen. Each brought a unique perspective to the Welles, allowing us to reinterpret this signature piece while staying true to our core values of customization, modularity, and timeless design. The project is a tribute to our journey and a vision for the future.

When we embarked on the Welles Reimagined series, we knew it had to be a thoughtful blend of residential and hospitality design, celebrating international design across the key cities where Gabriel Scott operates. We created a wish list of designers who could bring something unique to the project, and I’m thrilled with the collaborators we brought on board.

Michelle Gerson was an obvious choice. She’s been an amazing client and is highly respected within New York’s architecture and design community. Her approach aligns perfectly with our vision, and we knew she would bring something truly special to the series. Rockwell Group, one of our very first clients and a global leader in hospitality design, also joined us. David Rockwell’s team has a distinctive touch that resonates worldwide, making their involvement particularly meaningful.

From our base in Montreal, we were keen to include a Canadian designer, and Alessandro Munge was the perfect fit. His work in hospitality is groundbreaking, and his interpretation of the Welles series is a testament to his innovative approach.

In the UK, we collaborated with Kelly Hoppen, a globally recognized designer whose career spans decades. She introduced porcelain to the Welles series, a material we had been eager to explore. Her unique interpretation brought a new dimension to the design.

I’ve known Guan Lee since our university days in Canada, and his work at Material Architecture Lab and Grymsdyke Farm in the UK is at the forefront of material innovation. He developed a new material called POLiROCK, a blend of ceramic and rocks made from recycled manufacturing waste. His contribution to the Welles series was one of the most talked-about pieces during Milan Design Week.

Lastly, we wanted to bring a Parisian flair to the project, and Sybille de Margerie was the perfect choice. Her elegant design style and expertise in both residential and commercial projects aligned beautifully with Gabriel Scott’s ethos. She incorporated vegan leather, typically used in our furniture, into a deconstructed light fixture that’s truly one-of-a-kind.

The Welles Reimagined series is a true representation of Gabriel Scott’s design philosophy—modular, customizable, and timeless. These collaborations perfectly demonstrate how we work together with our clients and designers to create something special, tailored to their unique needs.

How do you keep your creativity activated?

My creativity thrives on the interplay of art, culture, and travel. I draw inspiration from the details I observe in everything—from the materials in a sculpture to the hardware on a handbag. I often start with a small detail and build outwards, imagining how it can be expanded into a full piece. Staying connected to the world of high fashion and fine art, and continuously exploring new places and ideas, keeps my creative energy flowing.